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New Show!

 

 

07.12.2024 – 28.02.2025 

From Yangon
to Peshawar

Fraglich Publishing
by Lukas Birk

Lukas Birk is a prolific Austrian photographer, curator and publisher known for his innovative archival work, particularly in Asia. As the initiator of Fraglich Publishing, his mission is to track down rare, forgotten and neglected photographic archives and make them available to the public through local micropublishing.

We are showing treasures from our ‚Fraglich’ collection.  

more...

Opening:
07.12.24 as of 18:00

Special: 07./08.12 
Körnerstraße-Xmas-Market
12:00 -18:00

 

THE BOX  
Körnerstraße 6–8
Köln - Ehrenfeld 

Open:
Thursday: 16:00–22:00
Saturday: 12:00–16:00
and by Appointment
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On View: 24/7

Check out THE BOX program!


 

from Photo Peshawar by Lukas Birk & Sean Foley / Fraglich Publishing

PhotoBookShow@k18



BEGGAR'S HONEY
by Jack Latham

We are back at k18 for the Passagen and will be showing a new edition of our PhotoBookShows, which have become a tradition. This year on a very contemporary topic:

Click farms are shadowy operations that are responsible for artificially inflating the engagement metrics of content on social media, manipulating the algorithms with serious consequences – from influencing consumer behaviour to compromising the integrity of democratic processes. This project seeks to expose the inner workings of click farms for the first time. By juxtaposing the captivating with the covert – images gleaned from TikTok alongside photographs of click farms in Vietnam and Hong Kong – it seeks to challenge perceptions of the digital landscape and urges us to question the authenticity of the content we encounter daily.

Jack Latham (b.1989) is a Welsh photographer based in the UK. Somewhere between photojournalism and conceptual art, his work questions the mechanisms of disinformation within contemporary society.

Passagen Special Week / 10.–16.01.2025
Fr–Do 15–21h / k18 – Körnerstr. 18, Köln-Ehrenfeld
Cocktail / Sa 11.01. ab 18h



from Beggar's Honey by Jack Latham (Here Press/Éditions Images Vevey, 2023)

Registration now open!







Send us your Story!
Dummy Award 25


Since 2010, the Kassel Fotobook Festival has been inviting photo-graphers to take part in its „Kassel Dummy Award“. Over this period of time thousands of photobook-prototypes have been submitted from all over the world. Hundreds of books from the shortlist have been exhibited at countless international photography events, festivals and exhibition spaces. The participating photographers have been able to establish contacts with galleries, publishers and festivals and present their books to an international audience.

Since 2023 the PhotoBookMuseum in Cologne is in charge of the Dummy Award. We are sure that this will increase the importance for a new generation of photographers and put it on an even broader footing. Together with MAS Matbaa in Istanbul, our printing and publishing partner, this is destined to maintain the high quality and reputation of the Dummy Award in the future. 

The rules are easy: each year we invite all photographers worldwide to take part. From all entries, around 50 books are selected for a shortlist to be exhibited at international photography events. Together with the votes of the shortlist jury each exhibiting venue has a vote — either determined by public vote or by curators choice. With these votes 5 winning books will be selected from the shortlist. One of these books will receive the PBM/MAS Prize. The book that wins the PBM/MAS Prize will be produced and published by the leading Turkish photobook printing and binding house MAS Matbaa in cooperation with the PhotoBookMuseum. The costs will be fully covered. The other four winning books will receive a production grant for printing their books at MAS Matbaa.

www.dummyaward.org

Recommended reading

»Form Follows Me«

Photobook Design and Authorship

The European Society for the History of Photography (ESHPh) has invited Christoph Schaden as a guest editor for another special photobook edition of it's bi-annual magazine PhotoResearcher (No.42). Have a look! 



"Form follows me" is the title of the new issue of ESHPh-PhotoResearcher, which PBM has produced in cooperation with the ESHPh. For the first time, the renowned scientific periodical is exploring the function and significance of design in photobooks from the point of view of authorship.

The eight text contributions examine the significance of book design in the context of monographic works from the Second World War to the present day. The analyses focus on internationally active auteur photographers such as Otto Steinert, Dominique Darbois and Eikoh Hosoe. But also on subversive expressions of Chilean photobook culture and the legendary MoMA designer Carl G. Laanes, who was responsible for the design of the legendary "William Eggleston's Guide", and not least on influential contemporary designers and artists such as Ana Druga and Thomas Gust, Hans Gremmen and Dayanita Singh.



Click here for more about PhotoResearcher

 

 

Cover from Otto Steinert, Subjektive Fotografie , Bonn 1952. © Museum Folkwang, Essen 




Previous Show!






STUDIO COLOGNE

Portraits from Cologne Photo Studios 1861-1928

24 May to 23 June 2024
on Körnerstraße

STUDIO COLOGNE: The Museum goes street!

Through an innovative street-exhibition Körnerstraße in Cologne-Ehrenfeld will be transformed into a walk-in outdoor and indoor exhibition. An 800-metre-long parcours full of discoveries will be created, bringing historical portraits from Cologne's photo studios to new life.

For all! For free! For one month!

more on:

www.studio-cologne.de

Photoatelier BLUM & HÖFFERT, 1908-1918, Hohe Str. 111a


 
Museum goes Club

Japanese Photobooks from the Collection

TOKYO EXPRESS was a POP-UP show with photo books from and about the metropolis Tokyo. The Club Nachtigall in Cologne's bustling quarter Ehrenfeld was transformed into a Japanese bar.
 
Tiny and yet full of stories are the bars in "Golden Gai," a collection of small alleys and old houses in the nightlife district of Shinjuku. These condensed hotspots are often reserved for certain (professional) groups. This is also the case with the "Kodoji" bar, which has become a legendary meeting place for Japanese photographers, combining exhibition space, library and pub in a few square meters in a wild mixture that appeals to all the senses. Today, the photo books by Onaka Koji, Keizo Kitajima, Daido Moriyama, Hiromix, Mika Ninagawa,Takashi Homma and Nobuyoshi Araki have international cult status - as does the legendary "Golden Gai" bar.
 
With its authentic setting TOKYO EXPRESS was a temporary reminiscence of all the "stories & pictures" that that place has inspired: from obscure darkroom experiments to longing black-and-white scenes in the street canyons of Shinjuku to the candy look of an entire city and its selfie girls to the "Tokyo Innocense", a Japanese garish gender carnival.
 
Sake drinking "Tokyo Style" was included as well as "Guided Tours" with PhotoBookMuseum director Markus Schaden, exciting "Movie Nights" (about Daido Moriyama among others) , "DJ Sets" with DJ Tobby-Lolli and "Sofa Talks" with Koji Onaka.
 

A big thank you to the Nachtigall Team and all the many vistors that joined us on that wonderful TOKYO EXPRESS experience. 

Click here for the TOKYO EXPRESS program

 

Photo: Koji Onaka from memories of younger days in Shinjuku, Tokyo 2018

New Release

Photobooks for everyone!


“The Photobook in Art and Society”
Participative Potentials of a Medium

Photography has been undergoing a paradigm shift since the turn of the millennium. The fine art print has been increasingly replaced, making way for the photobook which is experiencing a certain boom. However, it remains to be seen if the medium finds its way out of the ivory tower of the elitist photography scene. Is the photobook capable of establishing a visible literature that is accessible and understandable for everyone?

The PhotoBookMuseum and the Montag Foundation for Art and Society have tackled this question in a collaborative mobile project. Under the motto "World in Transition", the participatory qualities of photo books have been examined on the basis of new communication concepts. In the recent publication, professionals from the fields of science, art practice and culture institutions impressively unveil the social relevance of the medium. The Reader demonstrates how photobooks nowadays, act as a structuring force against the immanent flood of images.

 

PBM tempweb
“The Photobook in Art and Society”
Participative Potentials of a Medium

Montag Stiftung Kunst und Gesellschaft (Ed.)
in cooperation with The PhotoBookMuseum

Swiss brochure binding
16,7 x 24 cm
468 pages, 220 col. und b/w images.
English
Jovis Verlag, 2020
ISBN 978-3-86859-594-9; € 42,80

reading extract

Photo: Sarah Larissa Heuser
About

The PhotoBookMuseum


„The photobook is one of the most important mediums in our culture.“
Manfred Heiting, Photobook Collector, Los Angeles


The PhotoBookMuseum was founded in Cologne in 2014 as a non-profit organisation that aims to foster the photobook as a significant photographic medium. It serves as a public platform for collections, exhibitions and events and is committed to research and education on contemporary photobook culture. As a museum of the twenty-first century it offers an inclusive environment for active involvement with the arts to a diverse audience.

Acting as a mobile museum, it uses innovative exhibition strategies and hosts international curatorial co-operations far away from the mainstream of traditional museums. So far, the PhotoBookMuseum is the only museum in the world that is exclusively dedicated to the medium of photobooks, focusing on its democratic potential.

Carlswerk Prototype / Köln / 2014 / Foto: Daniel Zakharov
Carlswerk Prototype / Köln / 2014 / Foto: Dieter Röseler
Carlswerk Prototype / Köln / 2014 / Foto: Daniel Zakharov
Carlswerk Prototype / Köln / 2014 / Foto: Daniel Zakharov
Carlswerk Prototype / Köln / 2014 / Foto: Wolfgang Zurborn
Carlswerk Prototype / Köln / 2014 / Foto: Daniel Zakharov
TRACK-22 / Krakau / 2015 / Foto: Frederic Lezmi
TRACK-22 / Krakau / 2015 / Foto: Frederic Lezmi
Cargo to Oslo / Oslo / 2015 / Foto: Frederic Lezmi
Cargo to Oslo / Oslo / 2015 / Foto: Frederic Lezmi
PhotoBookStudy: Reading New York / Barcelona / 2017 / Foto: Frederic Lezmi
PhotoBookStudy: Reading New York / Barcelona / 2017 / Foto: Frederic Lezmi
Welt im Umbruch / Rostock-Duisburg-Kassel / 2016-2018 / Foto: Eisenhardt Keimeyer
Welt im Umbruch / Rostock-Duisburg-Kassel / 2016-2018 / Foto:Marvin Ibo Güngör
Welt im Umbruch / Rostock-Duisburg-Kassel / 2016-2018 / Foto:Marvin Ibo Güngör
Welt im Umbruch / Rostock-Duisburg-Kassel / 2016-2018 / Foto:Marvin Ibo Güngör
Welt im Umbruch / Rostock-Duisburg-Kassel / 2016-2018 / Foto: Thekla Ehling
Welt im Umbruch / Rostock-Duisburg-Kassel / 2016-2018 / Foto: Sarah Larissa Heuser
Nobody’s Library - Stephen Gill’s Photobooks / Braunschweig / 2018 / Foto: Frederic Lezmi
Nobody’s Library - Stephen Gill’s Photobooks / Braunschweig / 2018 / Foto: Frederic Lezmi
Nobody’s Library - Stephen Gill’s Photobooks / Braunschweig / 2018 / Foto: Frederic Lezmi
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: DAVID KLAMMER
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: FREDERIC LEZMI
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: DAVID KLAMMER
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: DAVID KLAMMER
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: DAVID KLAMMER
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: MARVIN IBO GÜNGÖR
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: MARVIN IBO GÜNGÖR
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: MARVIN IBO GÜNGÖR
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: MARVIN IBO GÜNGÖR
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: MARVIN IBO GÜNGÖR
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: MARVIN IBO GÜNGÖR
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: MARVIN IBO GÜNGÖR
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: FREDERIC LEZMI
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: FREDERIKE FINSTER
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: FREDERIKE FINSTER
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: FREDERIC LEZMI
DAS CHARGESHEIMER PROJEKT / KÖLN / 2018-2020 / FOTO: FREDERIC LEZMI
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